Fourth dimensional theory that inspired the Cubist painters was around a few years prior to Einstein’s Special Theory of Relativity and did more to inspire cinema and television than astrophysics; it was of more interest to ballet professionals and dictators than scientists, however it would be mistaken to believe it was irrationally occult and had no impact on the world. Even when the theories may seem to be of no great interest, the fights they incurred over art and politics were large and momentous.  Ideas that were lost in whirlwinds of seeming insignificance prove to be primal forces behind exceptional cosmopolitanism.  

     This dissertation caused me a great deal of trouble.  Although the material is all in the public domain, I was drummed out of school and into homelessness when my interest was first detected.   What seemed at first a mystery has since become a spoiler.  Almost like a teaching by Ouspensky, awareness that jeopardized and injured my well-being could not be shaken away or returned to dormancy.  It remains to be seen whether awareness of this barbarism can save anyone.

      It may seem stop and go sensationalism to call Hitler the inspiration for Jagger’s guttural foot-stomping, but therein lies the trick of the tale.  

      This paper is about European strategy in the present time as seen behind a curtain of iron velvet spanning a century and a half.  It is about deeply hidden, but likewise treasured, agency in the celebrity and political superstate.  Much of the material are signifying images from film and magazine language telling a carefully revealed game plan adorning international communications created by the criminal syndicate once known as The Axis, tragically playing the field due their success at discretion.