I do not want to wear you out with introductory comments so I will begin with appeal to self-interest:  this discourse is yours should you so choose.  I do need mentored study.  Impatience is also a cardinal virtue for me, so I do understand.   It is harder to be a scholar gypsy than it used to be.  I want you to know my credentials and why I felt urgency in this issue, arriving today by bus from Tacoma for consultation, but your department was empty.  I spoke to Women's Studies with the Victorian air of a sage detective.

      Although I was temperamentally inclined to avoid association, being deaf, I was railroaded into an Associate Diploma, where I did two honors contracts on the subjects of Syrian Refugees and Jaywalking, won the Honors Poetry contest (I studied in 1978 at the PA Governor's School with Peter Balakian, who won the Pulitzer recently).  I also am yet one class shy of my second Associates at Tacoma Community College, the former being at Community College of Allegheny County.  At TCC I was in Phi Theta Kappa.  I am senior and deaf so this was offbeat but Seattle Central banned me, apparently regarding my film studies research as troublemaking.  The Deans at CCAC insisted on a presentation of my private research which can be found at http://themepaper.webs.com  It is a development in this material that I seek to bring urgently to your attention.  Although I am sometimes subject to oppo-world pejoratives like harassment for the safewalking of peers I do, I want to persuade you that you need to be conversant on these developments because of the situation involving Trump, Putin and the pepper virus incident. 

       Attached are images from the superstory I detected leading me to evaluate this conversation leap-frogging a variety of national cinemas in the manner of the moneybag oligarchs in their transcontinentalism.  However until the Beijing Olympics when Valieva pulled her u-kno riot (she had the blessing of Putin and the help of Oliver Stone about whom I have been printed in Cineaste Film Quarterly) and although I knew the Warhols, Ono and Kardashian were grim traitors in the AIDS attack and have entirely fooled Seattle http://doubleillusionblog.wordpress.com I didn't understand Ouspensky Circle, despite having close acquaintance with Fripp and having met the surviving Idiot in Paris Pierre Elliott, who showed me his pictures in Paris during the Occupation with Gurdjieff.   I was too worked up about Cliff Robertson (PT109, Time Must Have A Stop, Premier of Outer Limits delayed for JFK's funeral, his circling in a private plane the WTC on 911, and calls from his gang to me over the years, my father having been on Bush's ship in the Navy, as well as the hellish scriipt they fried my name with http://texasschoolbook.weebly.com ) but I was wrong to ignore a productive avenue into ties between Griffith and Bowie showing how the Invisible Empire became an Equal Opportunity Employer, I repeat WRONG.

       1910, Picasso was doing set design for Prokofiev and friends with Ouspensky (Moscow and Kharkiv) who was meditating on the fourth dimension, this being about six years before Einstein's Special Theory.  Men that on the ball would of course be ready to embrace and use Einstein's work.  My research shows that the defeated reasserted power after the Civil War through the same medium, Hollywood, they did after the 2nd World War, of which I was brutally victimized in Pittsburgh by Trumpytune Putinese who used a nerve agent on me.  This Ouspensky Circle included, in Pittsburgh, Dr. Bernard Wattenmaker, a psychiatrist of Attica State Prison.  When you get hip to their various mongers like with Fripp, you realize the superstory of Griffith, Errol Flynn (who lived in Laurel Canyon with Houdini) could only have brought together Griffith and Ouspensky in 1910, when Houdini was on the same page.

        This is important.  They are the agency behind You Only Live Twice.

        Reagan's hand in this enormity is foundational to our history.  My deceased father was the author of a text Foundations of Modern Education.  He was aware of my concern regarding Reagan.  The scene in the opening of Odessa File occurs as JFK's death is being announced over the car's radio.

This also explains how the Kennedy project was already in their semiotics in WW2